Classical Records
Emily tolan/filmmaker

What's your secret?
Classical Records
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man-and-camera:

jovellyism:

The Fogwalker
Powerline Pass, October 2014.
Instagram: @Jovell

Jovell seriously takes some of the best photo’s out there going. Plus he lives in Alaska.. lucky bastard.
Go give him a follow, and check out his instal too, @jovell
man-and-camera:

jovellyism:

The Fogwalker
Powerline Pass, October 2014.
Instagram: @Jovell

Jovell seriously takes some of the best photo’s out there going. Plus he lives in Alaska.. lucky bastard.
Go give him a follow, and check out his instal too, @jovell
man-and-camera:

jovellyism:

The Fogwalker
Powerline Pass, October 2014.
Instagram: @Jovell

Jovell seriously takes some of the best photo’s out there going. Plus he lives in Alaska.. lucky bastard.
Go give him a follow, and check out his instal too, @jovell
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Krikor Jabotian AKHTAMAR 2014

Krikor Jabotian AKHTAMAR 2014

Krikor Jabotian AKHTAMAR 2014

Krikor Jabotian AKHTAMAR 2014

Krikor Jabotian AKHTAMAR 2014

Krikor Jabotian AKHTAMAR 2014
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mindshatter:

lemme-holla-at-you:

Xoxo

ahhh
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ryanishka:

kameliendame:


Modern Muse
ryanishka:

kameliendame:


Modern Muse
ryanishka:

kameliendame:


Modern Muse
ryanishka:

kameliendame:


Modern Muse
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I threw my 20th birthday party at Brown, and I didn’t even have to say to anyone not to put pictures on Facebook. Not a single picture went up. That was when I knew I’d found a solid group of friends, and I felt like I belonged.

Mostly reblogging this because I want this shade of lipstick
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commanderspook:

cryptovolans

very slowly and carefully easing back into doing a little bit of art without stressing my arms out. here’s a preview of something I’m working on! I’m hoping to make it into a pattern eventually!
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Kirsten Dunst photographed by Kayt Jones for Vs Magazine (Autumn/Winter 2014)

Kirsten Dunst photographed by Kayt Jones for Vs Magazine (Autumn/Winter 2014)
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theparisreview:

“I’ve missed some very spectacular shots because I was needed during a bad storm or heavy fishing.”
—Corey Arnold, “Storm, Gulf of Alaska,” from “Fish-Work.”
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artofthetitle:

New this week!
After an explosive opening, Saul Bass captures off-duty soldiers relaxing in a near-deserted Belgian village during World War II, for the main titles to Robert Aldrich’s 1956 film Attack.
Watch the Attack sequence on Art of the Title
artofthetitle:

New this week!
After an explosive opening, Saul Bass captures off-duty soldiers relaxing in a near-deserted Belgian village during World War II, for the main titles to Robert Aldrich’s 1956 film Attack.
Watch the Attack sequence on Art of the Title
artofthetitle:

New this week!
After an explosive opening, Saul Bass captures off-duty soldiers relaxing in a near-deserted Belgian village during World War II, for the main titles to Robert Aldrich’s 1956 film Attack.
Watch the Attack sequence on Art of the Title
artofthetitle:

New this week!
After an explosive opening, Saul Bass captures off-duty soldiers relaxing in a near-deserted Belgian village during World War II, for the main titles to Robert Aldrich’s 1956 film Attack.
Watch the Attack sequence on Art of the Title
artofthetitle:

New this week!
After an explosive opening, Saul Bass captures off-duty soldiers relaxing in a near-deserted Belgian village during World War II, for the main titles to Robert Aldrich’s 1956 film Attack.
Watch the Attack sequence on Art of the Title
artofthetitle:

New this week!
After an explosive opening, Saul Bass captures off-duty soldiers relaxing in a near-deserted Belgian village during World War II, for the main titles to Robert Aldrich’s 1956 film Attack.
Watch the Attack sequence on Art of the Title
artofthetitle:

New this week!
After an explosive opening, Saul Bass captures off-duty soldiers relaxing in a near-deserted Belgian village during World War II, for the main titles to Robert Aldrich’s 1956 film Attack.
Watch the Attack sequence on Art of the Title
artofthetitle:

New this week!
After an explosive opening, Saul Bass captures off-duty soldiers relaxing in a near-deserted Belgian village during World War II, for the main titles to Robert Aldrich’s 1956 film Attack.
Watch the Attack sequence on Art of the Title
artofthetitle:

New this week!
After an explosive opening, Saul Bass captures off-duty soldiers relaxing in a near-deserted Belgian village during World War II, for the main titles to Robert Aldrich’s 1956 film Attack.
Watch the Attack sequence on Art of the Title
artofthetitle:

New this week!
After an explosive opening, Saul Bass captures off-duty soldiers relaxing in a near-deserted Belgian village during World War II, for the main titles to Robert Aldrich’s 1956 film Attack.
Watch the Attack sequence on Art of the Title
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ladyhawke81:

Outlander / 1x06 / Locations
ladyhawke81:

Outlander / 1x06 / Locations
ladyhawke81:

Outlander / 1x06 / Locations
ladyhawke81:

Outlander / 1x06 / Locations
ladyhawke81:

Outlander / 1x06 / Locations
ladyhawke81:

Outlander / 1x06 / Locations
ladyhawke81:

Outlander / 1x06 / Locations
ladyhawke81:

Outlander / 1x06 / Locations
ladyhawke81:

Outlander / 1x06 / Locations
ladyhawke81:

Outlander / 1x06 / Locations
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I can only legally refuse to hand you back to Randall if I change you from an English woman…to a Scot

I can only legally refuse to hand you back to Randall if I change you from an English woman…to a Scot

I can only legally refuse to hand you back to Randall if I change you from an English woman…to a Scot

I can only legally refuse to hand you back to Randall if I change you from an English woman…to a Scot

I can only legally refuse to hand you back to Randall if I change you from an English woman…to a Scot

I can only legally refuse to hand you back to Randall if I change you from an English woman…to a Scot

I can only legally refuse to hand you back to Randall if I change you from an English woman…to a Scot

I can only legally refuse to hand you back to Randall if I change you from an English woman…to a Scot